I mean they’re not all super rich but especially in the USA and especially with actors or TV personalities it seems like the well known ones make huge amounts of money. Just picking people at random and doing some searching online, apparently Scott Bakula got paid $120,000 for each episode of NCIS: New Orleans he was in which totalled over $18 million. Some sources say that Sarah Sherman, who’s been on SNL for 3 seasons, is worth around $4 million. Why do they get paid huge amounts of money when most people, even if they’re at the top of their industry, make a fraction of that?

  • Darkcoffee@sh.itjust.works
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    6 months ago

    Here’s what it comes down to: negotiations based on how much money the industry makes from their work. Because without the artist, comedian, etc., their profits vanish.

    Now understand that every worker in the world could realise the same thing. That’s what unions are for, having that weight to give the employees of a company leverage and ask for a bit more of the pie that wouldn’t exist without their work. Why do you think businesses fight unions so damn hard? Because it’s easier to distract or scare enough of a worker group, mostly compared to a single artist.

  • dangling_cat@lemmy.blahaj.zone
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    6 months ago

    Being an influencer(or entertainer whatever) is like playing an incremental game. If you have 10 million fans and everyone pays you $1 you have 10 million dollars. The money is not about the art, it’s about how many people they can reach.

  • 9point6@lemmy.world
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    6 months ago

    Firstly it’s a fraction of a percent of the pool of people working as entertainers that get paid anything close to a comfortable salary—many don’t even last a few years and make basically nothing before they change careers.

    The successful ones get paid a load basically because the people that invest in funding TV shows & films know that you can generally multiply your investment by attaching a household name to the project. Now this is for several reasons, firstly a household name will generally actually be a good actor. Secondly, people recognising a member of your cast means they’re generally more likely to watch it. Finally, there’s the effect on the rest of the casting—some studios might take the opportunity to push the compensation of the “no-name” actors down because they have an opportunity to work with a star, others might go the other way and use the first star in negotiations to get additional starts signed on to the project.

    So essentially, the big projects make a lot of money, and executives attribute a significant part of that generated value to having the big star involved, and so they portion the funding to ensure that happens.

    There’s also the negotiation factor on long running shows, main characters end up in good negotiation positions for more money if a show is successful and their character isn’t easy to kill off. This is also why Netflix tries to cancel stuff before the 3rd season—that’s about the point who holds the power in negotiations shifts away from the studio.

    An in-demand actor is a finite resource, they can only really work on one or two projects at any given time, so this also pushes their fees up as projects may end up in bidding wars. Conversely most entertainment costs very little to sell beyond the initial production costs, so after that’s broken even it’s free profit they can use for these fees.

    Tl;dr capitalism

  • jet@hackertalks.com
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    6 months ago

    Popularity is currency, if someone presence in a production will bring more eyeballs or prestige then it has value.

    The same reason a small YouTuber makes less then a huge YouTuber when doing a ad read

  • venotic@kbin.melroy.org
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    6 months ago

    While I’m not here to justify the enormous amount of money they’re paid, much much more than “essential” workers that been shoved down our throats that actually make the country run.

    You have to factor in numerous things. These people travel a lot and obviously that can rack up in a short period of time. Furthermore, their homes are obviously pricier to maintain especially if in multiple locations, far more costly than the average apartment rent. There’s also a number of things that they have to contribute and usually they don’t have a safety net because their money is finite.

    But of course that depends on the actor/actress and if there’s a big demand for them, that’s a huge thing in the entertainment industry. These are jobs that do not promise you that you’ll be earning money as compared to a retail job on a consistent and set schedule basis. You need to be marketable. You need to have the right qualities. You need to actually be variable i.e do many roles and do them well. The line is very narrow when it comes to entertainment.

    Now things like why bad actors/actresses get top billing anyways or why some actors/actresses are paid far more than everyone else, it comes down to favorability and ass-kissing I guess.

  • sunzu2@thebrainbin.org
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    6 months ago

    Regime whores keep plebs docile and there is a lot of value in that alone…

    Plus mass media makes possible to generate revenue so regime whores know they can demand higher wage.

    Why do you think john cena and NBA love China?