No judgement on his skill as a producer but Kinberg sucks as a writer from what I’ve seen of his. He strikes me as a studio-friendly hack, and this is a dumb move to keep the franchise “safe” rather than trying better to make it interesting.
It’s been a few years since I watched it and none of this made sense to me. Just read the Wikipedia summary for a refresher and it’s one of the most incomprehensible summaries I’ve ever read. All I can say is that I remember taking the movie at its word more or less. Interesting idea though.
I read today on wikipedia that the co-creators of the comics have both praised the film, with Kevin Eastman saying it will always be the best Turtles film adaptation. I don’t know anything about it’s development, but it strikes me that the production team must have been making a deliberate effort to incorporate some of the source comic’s DNA beneath the more family-friendly, commercial surface.
I sobbed at 6 years old to the scene where Splinter is talking to the turtles through the fire. To the point my parents had to stop the movie and frantically explain that it’s not real, it’s just a story, the story will get happier, etc.
OSS 117
A goofy, Zucker-Abrahams-Zucker-adjacent spy spoof from France. Stunningly, the same director and male and female leads wouldater collaborate on 2011’s Oscar winning The Artist.