After reading the article, I’m not surprised First Class was my favorite of the X-Men franchise; it really seems like Matthew Vaughn understands what was needed. Putting DoFP right after instead of letting the younger cast stand on their own for a while always felt like a mistake to me, and I missed the lighter tone from First Class as well.

I also found it interesting he was thinking of Tom Hardy for a young Wolverine, since I’ve seen that thrown around as a fan-casting for a while.

It’s a bit of a long read, but I thought it was interesting what a mess the Marvel production was.

Marvel Studios has always had a tough relationship with TV cough Inhumans cough. I think Agents of SHEILD being their only successful non-Netflix show before launching a plethora of shows on Disney+ (and even that one was a little rough around the edges).

Since launching Disney+, I have personally found the Marvel TV quality to consistently hit C+/B- quality, with occasional highlights (the first half of Wandavision, most of Loki); which surprised me since I felt the movies hit higher quality more consistently.

It makes sense the TV landscape has been hard with Marvel after reading this article, though. Committing to a whole season/ series with no pilot seems risky enough, but combine that with no show-runner and a fix-it-in-post attitude, and it’s a shock the shows came out as passable as they did.

It sounds like Disney is planning to change that, but I’m not sure how much I believe that to be honest. It’s also worth noting that I only think it’s happening because of the recent negotiation with the WGA.