Well, It also works as a nice allegory for climate catastrophe.
Well, It also works as a nice allegory for climate catastrophe.
Well, there’s not much else to talk about, is there? I much prefer this comment thread to 33 comments saying “lol”
Also, calling a number to get the exact time when you needed to set your clocks.
We’d put tape over the holes, I remember recording Death Metal albums over my parents old exercise cassettes, for example.
OK, now I understand what you’re getting at and I don’t disagree actually. I also think that the original intent was that she died of a broken neck but the ambiguity is there, whether by design or accident, which makes other theories and later retconning possible. I personally suspect they made it a bit ambiguous to give themselves a bit of a back door in case the public would react too harshly to Spidey accidentally kiling his girlfriend. One has to remember how unexpected and grim this was at the time, it was a huge risk to take for the writers (Stan Lee even said later that he was tricked into OKing it while he was packing for a trip…not sure I believe that though).
It would have been easy to make her perhaps say something or make a sound when she’s lying on the edge of the bridge, or make Peter feel her pulse to confirm she was alive before the fall. As the scene unfolds now, and the way she is drawn when lying on the edge (she looks dead), I feel its unlikely that wasn’t intentional. But this is ultimately a matter of interpretation.
If you read my comment, I said it’s ambiguous if she was already dead when her neck was snapped, not that her neck was in fact snapped.
It’s the other way around, actually.
In The Amazing Spider-Man #125 (Oct. 1973), Marvel Comics editor Roy Thomas wrote in the letters column that “it saddens us to have to say that the whiplash effect she underwent when Spidey’s webbing stopped her so suddenly was, in fact, what killed her. In short, it was impossible for Peter to save her. He couldn’t have swung down in time; the action he did take resulted in her death; if he had done nothing, she still would certainly have perished. There was no way out.” Source
The comic (#121) is ambiguous though. There is really no way for the reader to know whether she was dead before her neck was snapped, Green Goblin certainly seems to think so (but he is hardly a reliable source). But snapping her neck certainly would have killed her anyway.
Mine do too, most of the time. I’m trying to make a point about what kind of user behavior spotify UI (and similar apps) encourage and that it’s not a good thing, for kids or adults or for music in general.
Well yes, that’s not really what I’m talking about here. I play old HC albums around the house all the time, though they don’t really like screaming vocals (perhaps that’ll change with puberty…). It’s more the zeitgeist of just hearing 20-second snippets of songs and skipping around that’s problematic to me. It fosters an ADD mindset for everyone, not just kids.
Not yet, though I play some Napalm Death or Brutal Truth records now and then to sneak it in there
I’ve been using Spotify since it came out and I’m starting to feel it’s time to move on soon. My main gripe is that the UI is getting less user-focused and more interested in pushing content and shitty social media-like features. It’s getting bloated and annoying. Plus of course whatever major labels are pushing gets weighted in search results and recommendations. Just a few days ago I got a marketing pop-up (“what QUESTION would you like music to answer for you?!”) which feels like the last straw. I paid for premium, I know what I want to listen to, just get out of the way. And if you absolutely must have some shitty “reels/shorts”, give me the option to turn them off. (I see my kids wanting to listen to a song, getting distracted by some crappy flashing video, swiping around for a while, then exiting the app out of boredom. Luckily they have parents that can help them understand music from a different perspective than 20-second endorphin flashes.)
I guess I’ll just go to Bandcamp full time and piracy if I want to listen to something before I buy a physical copy.
Next time perhaps tell him of the very natural mating habits of the anglerfish. We could dig up numerous examples to challenge his comic book version of nature.
Honestly, considering the genre and the ambition and intent of the song, the lyrics are a notch above the competition at the time. Lynott wrote some really good lyrics at times and while this song is admittedly not the best example of his writing, at least it’s got believable characters and setting. I’d rather hear a song about young working class Irish people and their life-affirming ways than what most other hard rock acts were writing about in the 70s and 80s.
OK, I’m imagining it now.
Libraries.
Any university that doesn’t charge tuition fees.
The Internet Archive.
Fugazi (the band)
It’s beside the point, but I feel I have to tell you that my kids are lactose intolerant and would let you have your milkshake to yourself. It’s my wife you have to keep an eye on there, she loves them.
I didn’t take it personally and I’m not mad. I don’t care if you don’t want kids but this is a public forum and your argument is absurd. The notion that “kids constantly misbehave” is clearly based on limited experience with kids and you seem to have no understanding of parenting, meaning you have a strong opinion on something you know very little about. Which is hardly uncommon, so don’t beat yourself up about it, but still should be remarked upon when encountered.
I think the reason why this subject is so touchy is that people who never have kids can never really know what it’s like, and it cannot really be explained to them either - all parents understand this to some degree. Some things you can only learn through experience.
Art can be a joke, a joke can be art