That depends on if you see the current copyright system as far to start with. The current system is a far cry from how it was created and was co-opted by companies like Disney to maintain monopolies on their IP for MUCH longer than the system was supposed to protect.
This. If I’m not mistaken, the system was meant to operate like a hybrid between patents and trademarks. Iirc, things weren’t originally under copyright by default and you had to regularly renew your copyright in order to keep it. Most of the media in the public domain is a result of companies failing to properly claim or renew copyright before the laws were changed. My understanding is that the reason for this was because the intent was to protect you from having your IP stolen while it was profitable to you, but then release said IP into the public domain once it was no longer profitable (aka wasn’t worth renewing copyright on).
Then corpos spent a lot of money rewriting the system and now practically everything even remotely creative is under copyright that’s effectively indefinite.
It wasn’t just “the corpos”, you can basically tie changes to the copyright system back to Disney trying to maintain a strangle hold on their fucking mouse.
Not for over half a century, once Disney lobbied the US federal government to extend temporary monopolies to egregious lengths. The point of intellectual property rights is to build a robust public domain, so every year of every extension is a year denied to the public.
This has been forgotten or ignored by the ownership class with Sony and Nintendo prosecuting use and public archival abandonware games the way Disney goes after nursery murals.
So no, we would be better off with no IP laws all than the current laws we have, and the ownership class routinely screw artists, developers and technicians for their cut of their share of the profits in what is known as Hollywood Accounting. And the record labels will cheat any artist or performer who doesn’t have a Hammerhead Lawyer (or bigger) to ensure their contract is kosher.
So no. Come with me to Barbary; we’ll ply there up and down. 🏴☠️
Isn’t it “asshole” to consume copyrighted works for free?
No. Here, let me introduce you to things like libraries, and education.
And, again, he’s not an asshole for being right. He’s an asshole for having no sympathy for the loss of what should have been an archival giant.
Copyright is bullshit, so no.
That depends on if you see the current copyright system as far to start with. The current system is a far cry from how it was created and was co-opted by companies like Disney to maintain monopolies on their IP for MUCH longer than the system was supposed to protect.
This. If I’m not mistaken, the system was meant to operate like a hybrid between patents and trademarks. Iirc, things weren’t originally under copyright by default and you had to regularly renew your copyright in order to keep it. Most of the media in the public domain is a result of companies failing to properly claim or renew copyright before the laws were changed. My understanding is that the reason for this was because the intent was to protect you from having your IP stolen while it was profitable to you, but then release said IP into the public domain once it was no longer profitable (aka wasn’t worth renewing copyright on).
Then corpos spent a lot of money rewriting the system and now practically everything even remotely creative is under copyright that’s effectively indefinite.
It wasn’t just “the corpos”, you can basically tie changes to the copyright system back to Disney trying to maintain a strangle hold on their fucking mouse.
https://web.law.duke.edu/cspd/mickey/
“With 3 simple circles, I dominate the planet!” ~ERB’s depiction of Walt Disney.
Not for over half a century, once Disney lobbied the US federal government to extend temporary monopolies to egregious lengths. The point of intellectual property rights is to build a robust public domain, so every year of every extension is a year denied to the public.
This has been forgotten or ignored by the ownership class with Sony and Nintendo prosecuting use and public archival abandonware games the way Disney goes after nursery murals.
So no, we would be better off with no IP laws all than the current laws we have, and the ownership class routinely screw artists, developers and technicians for their cut of their share of the profits in what is known as Hollywood Accounting. And the record labels will cheat any artist or performer who doesn’t have a Hammerhead Lawyer (or bigger) to ensure their contract is kosher.
So no. Come with me to Barbary; we’ll ply there up and down. 🏴☠️
Preach brotha, PREACH!!!