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Cake day: August 30th, 2023

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  • Console Gaming is a lot less worse than Nintendo, but if you (or someone else) wants to be ‘pure’, they are also not recommended. Consoles are locked-down PCs controlled by the companies, not you, and they abuse their captive consumers by charging multiplayer online, having less promotions (and getting worse with time at that, by eliminating the physical disks), demanding subscriptions with ever more grades and higher prices, tying games to a digital account they can revoke, and not letting the users use the hardware as they see fit in general. PC gaming avoids most or all these issues, with steam excelling in everything (sans the digital license tied to the account, but even that is mitigated because their DRM is weak, and games frequently are found on the high seas if needed), and GoG (and itch.io, etc) respecting completely its customers (offline instalers, completely at your control).


  • In case of zombie apocalypse, your best friends will probably be a bicycle (to get away from the zombies in almost any terrain and road condition, not be without industrial fuel the next day, and be able to do needed repairs with rough tools and scraps that can be found), a hunting knife, and maybe a crossbow if you can find one (weapons that can be sharpened and reused, and crossbow allowing random joes to just make piercing sticks (again with scraps that can be found anywhere) that work like an arrow, again weapons that do not depend on industrial infrastructure that will not be available anymore). Games that need electricity would be extremely hard to use, it’s better to buy card decks that have multiple rule sets for different games to play, like french decks and tarot, maybe a tabletop set that also has multiple games.




  • That’s the US social reality, there is some little place called ‘rest of the world’, where stuff can be different. I assure you that India and Pakistan and Africa still sell loooads of bootleg DVDs (that will be impossible to give precise numbers), and also that Japan has both still strong rental and collector cultures of boxes of physical media of anime and other audiovisuals (both blu-rays and dvds in that case). Not to mention bureacracy, like archiving stuff for official purposes (police cases, etc) still overwhelmingly done on DVDs. DVDs are still the most predominant physical media by far.


  • Teils13@lemmy.eco.brtoTechnology@lemmy.world*Permanently Deleted*
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    2 months ago

    Judges in the STF (supreme court) are not directly elected by the people (because that would be disastrous in real life, people would vote for fun or ‘against the system’ in absurd candidates like reality show and football stars, or people would just not know what makes a good STF judge candidate). BUT they ARE indirectly elected by the people, by the process of: 1. Elected president chooses a list of candidates, three in order of preference. 2. Elected parliament approves the chosen candidate (or vetoes them all, and step 1 is repeated until approval). The institution is democratic, just not direct democracy. If people want 11 fachos in the STF, they can just consistently vote for a majority in parliament and win the presidency, over time they will nominate all the judges they wanted. (and no, that is not comparable to elected politicians because STF judges actually need to have very specialized knowledge intrinsically tied to their function, i.e. uphold the legal order from the constitution and interpret law in general).

    It’s also good to remind people that separation of powers in Brazil has THREE powers, not 2 or 1. STF Judges, like the congress and the president, can and should weight in all the political topics if it is inside their sphere of functions (keep the integrity of the constitutional laws and regulations). Like interfering in fraudulent cases, ordering the police around if the police are doing something absurd and the congress and presidency are being neglectful until they stop contradicting the constitution and fundamental rights, ordering prisons to receive maintenance works if the police and congress and administration are neglecting their constitutional duties, etc and etc.


  • Depends on how you consider several subjective factors, including political, economical, technological and ownership/control.

    Closest to lemmy might be TILvids (Today I Learned videos) → https://tilvids.com

    They use Peertube protocol (FOSS), are sustained by donations (patreon), and there is a few big FOSS influencers there already, like the french developer from The Linux Experiment.

    There is a few corporations that are pretty much national versions of youtube, like Nikoniko (Japan), Rutube (Russia), VK (Russia), Bilibili (China), Aparat (Iran) etc that would be nice if they were competitors cause they already have all the infrastructure in place to receive everything in youtube in one swop if we neeeded, but alas they obviously will not be taken. (sorry nikoniko)

    There is some minor corporations like Odysee, Rumble, Dailymotion, Vimeo. But they are still private profit-driven corporations, so they can go the youtube way eventually. There is some rumours that Tiktok might launch a separate app and site for youtube-style videos too, but again, it is another private corporation and controversial.

    The scale of capital needed for video hosting is several orders of magnitude bigger than text and images, this is why youtube became a de facto monopoly on most parts of the world. There is several text-driven social media sites, including this one, but only one big youtube.


  • I will shamelessly recycle my comment up the thread:

    The modern western conception of art (around which the current legal and economic systems were constructed) is really opposite to the idea that the current AI tools (OR the programmer that used them) should deserve any copyright.

    Why ? The concept of art (the modern western one) is that an Art piece is composed of :

    • 1 An Idea
    • 2 A form that is given to that idea by a human artist.

    The idea can be given by others, to be constructed by an artist. That is usually a Patron (from where Patreon invented its name) , in spanish Mecenas, that pays the work and directs what idea and even general form it will take (the social practice is called Mecenazgo in spanish, since english has no equivalent word, i will use that ). Example: The Sistine Chapel, which was conceptualized (and paid) by the Catholic Church, including themes and general style, and was given to italian artists like Michelangelo to give the final form, which they drew themselves, with the approval of the church authorities at the end.

    The current Ai tools work exacly like the Mecenazgo:

    • the human person (programmer or not) gives an input (textual, or other), the AI goes brrrrrr, and gives back an image. the person can take ir, or re-iterate the cycle with further inputs until satisfaction.
    • This is really analogous with how art production ocurred in the Mecenazgo: The human input is the step 1 (an idea), the AI does the step 2 (give form to the idea). The further inputs by humans is analogous to the rough drafts the artist had to give the Mecenas first, the Mecenas described in more details and specifications what themes and forms he wanted, and that repeated until the Mecenas was satisfied with the final form the artist gave back.

    The current copyright legal and economic system gives the intellectual property to the ARTIST, that made the step 2, and NOT to the Mecenas of the step 1. Because the Mecenas only had ideas, and the one who made what is considered artistic work, that deserves the legal privilege of IP, is the artist. If all someone did was tell the AI what to draw (i.e. gave an idea, general theme and general form), then the person is only acting as the Mecenas. The MACHINE is doing the artistic work, and since the machine is not a human that deserves the legal privilege, ir should be considered non copyrighted or public domain, just like the picture some monkey took of itself some years ago.

    This was not always nor everywhere the social interpretation of WHO is the agent that actually made the art. Before the Renaissance, the western societies considered the Mecenas of step 1 the TRUE ARTIST, because he-she had the idea, and the person that gave form to the idea was considered a low level construction worker like stonemasons, that did not even have its name recorded. If you are wiilling to go back there, we would have to fundamentally change our interpretation of art , artists and rewrite the Sistine Chapel as created by the Catholic Church , and michelangelo is irrelevant.